Wall installation in public space – in the framework of site of musicx_ – MIK – Mission Ignition Kagran @Genochmarkt / Hirschstetten
idea | concept | installation alexandra reill
production kanonmedia in cooperation with MIK | vienna 2009
MIK is a mobile project that operated in the neighborhood Hirschstetten in the Donaustadt district of Vienna in order to enrich the range of art and cultural events in the area and to deal with and create access to contemporary art on site. On invitation of Pamela Bartar kanonmedia participated with a wall installation of its project / [post-] card series REAL ONES ALWAYS SURVIVE or WOULD WE SAY NO? I comparing sociopolitical polemics around the theme of work used under the NS-regime and in Vienna today.
For the two-nights-art-and-[electronic]-music-festival site of musicx_ staged by MIK at Genochmarkt in Hirschstetten in 1220 Vienna, the cards were installed on the outer wall of one of the former market booths forming horizontal and vertical rows repeating themselves again and again; and remained there until the wind blew them away … | until the last market booths were torn down in 2010 giving place to the construction of office buildings and living compartment complexes …
REAL ONES ALWAYS SURVIVE or WOULD WE SAY NO? V. Wall Installation staged in the framework of
— festival site of musicx_ / MIK – mission ignition kagran / vie / a / 09
MIK- Mission Ignition Kagran | site of musicx_ listed in | featured by
— WSE Wiener Stadtentwicklung [Hg.]: Neu Stadlau. Vom Industrieareal zum modernen Stadtquartier, Wien 2019, S. 29, 39
— Oliver Frey, Alice Hamdi, Mara Verlic, Lucia Wieger: Perspektive Leerstand. Erster Teil einer dreiteiligen Studie zum Themengebiet Leerstandsnutzung, Zwischennutzungen,
und Freiräume, IG Kultur Wien, Wien, 2011, S. 19
— Milena Grossauer, Lena Mally, Johannes Posch: Lokale Agenda 21 Plus Donaustadt. Stadtteilschwerpunkt Stadlau – ExpertInnenbefragung, Lokale Agenda 21 Plus Donaustadt, Wien 2010, S. 11
— Wien Holding GmbH [Hg.]: Geschäftsbericht 2009, Wien 2010, S. 41
— Elke Wimmer: „Welche Darbietungen kommen aus der ‚offenen‛ Sphäre? OKTO – Partizipation am Beispiel dreier Sendungsmacher“. Diplomarbeit, Universität Wien, Theater-, Film- und Medienwissenschaft, Wien 2009, S. 104-105
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