07/17–11/30/2026
ON SCREEN VIDEO ART FESTIVAL 2026 – OFFICIAL SELECTION
DOI ENTRY 2025
ARTECH 2025 – OFFICIAL SELECTION
In a transdisciplinary approach of artistic research, the paper and the media art piece examine questions of perception on the basis of the the experiental image-video installation skin flats that aims at evoking an immersive state of meditative perception in the recipient.
LOS ANGELES SHORT FILM AWARDS: OFFICIAL SELECTION 2026
NEW YORK FILM & CINEMATOGRAPHY AWARDS: OFFICIAL SELECTION 2026
AMSTERDAM MOVIE FEST: NOMINATION 2026
ATLANTA CINEMA AWARDS: NOMINATION 2026
CANNES ARTS FEST AWARD: NOMINATION 2026
Experimental live action arthouse
Audiovisual real-time enactment / Performative readings
on contemporary issues of the political sovereign following Brecht’s Saint Joan of the Stockyards
NEW YORK INDEPENDENT CINEMA AWARDS: CONSIDERATION 2026
SWEDEN FILM AWARDS: FINALIST AUGUST 2025
STRANGE FLOWERS SPLASH or ONLY CATS HAVE NINE LIVES researches personal mechanisms of mystification existing as a result of ignorance or perfidious violence in society.
The images forming skin flats represent a quasi self-generated meditative line of self-viewing perspective, created through Subconscious Image Writing. Although the image montages are self-portraits, they ultimately see themselves as “empty” works, elaborated from an aspiration of the artist to let “non-individual”, “non-designed” works emerge.
OFFICIAL SELECTION
Video loop contribution to the exhibition Exquisite Corpse at the Millennium City Film Archives Center / NYC. Live audiovisual opening event 09/06/2025
A letter to and for you and to and for me
dated January 31, 2025, with additions from February
In addition to the meta-theme of the transience of phenomena, the work Stumbling waters refers to manifestations of destruction, whether in nature or in a metaphorical reference to global social developments that transform a peaceful flow of life into turbulent upheavals … In progress
The first English-language monograph on [… the writer and artist …,] with unpublished texts and diary entries by Ceija Stojka.(**) | Editing of the original German version of the essay by Simona Anozie / Co-translation from German to English of the text and the poems by Ceija Stojka published in the volume.