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TRACES IN TIME
an audiovisual interpretation of relations in time and space

When
Tuesday, 04-03-2014, 7 PM

Where
Espresso
A 1070 Vienna, 57, Burggasse
Free Admission

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featuring
arthur denisson
eargazm

opening words
ursula berner
head of kulturkommission neubau
alexandra reill
filmmaker and media artist

programming
alexandra reill

production
kanonmedia
vienna 2014

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white chairs
an experimental short film by alexandra reill
00:08:31:08

White on white, photographic moments, shade and doubling forms search for space between material manifestations, for the essence of emptiness and abundance, tracing scenic plots of communication in a flow of time, researching backlashes of data overabundance on humans living in information societies.

Interfaces of Sonification
a real-time sound performance
by arthur denisson and eargazm
00:15:00:00

In their real-time performance the electronic sound composers Arthur Denisson and Eargazm reflekt traces in space and time left behind by information. Through acoustic addition and substraction they sonify physiological rhythms and create equally fractal and liquid interfaces between multiple worlds of space.

STRANGE FLOWERS SPLASH
or
ONLY CATS HAVE NINE LIVES

an experimental short film by alexandra reill
00:11:54:20

featuring
florentin groll
susanne gschwendtner
tina muliar

The film researches personal mechanisms of mystification existing as a result of brachial or perfidious denial of violence in society. The lack of empathy and coldness between humans become the starting point for reflections on the relevance of the moment of cutting or stepping through the mirror – an act which is repeated until the deceptive self-image bursts and the perspective of collective reality perceived from beyond individual disposition emerges...

Chafing at Mirrors
a real-time sound performance
by arthur denisson and eargazm
00:15:00:00

As the composers of the soundtrack of STRANGE FLOWERS SPLASH or ONLY CATS HAVE NINE LIVES, Arthur Denisson and Eargazm continue to develop their technoid-symphonic sound worlds, reflecting inner and external interfaces between individuals in collective worlds and composing on the fly orchestral sound concepts in this real-time performance.

TRACES IN TIME
still out of white chairs, alexandra reill 2005
TRACES IN TIME
re-mix of found footage, alexandra reill 2014
TRACES IN TIME
re-mix of found footage, alexandra reill 2014
TRACES IN TIME
re-mix of found footage, alexandra reill 2014